Baby, pictures, writing
May. 29th, 2012 11:51 pmLast Wednesday, serendipitously, the healthy baby topic was "introducing your baby to solid foods." (it had been requested by several of the other moms, even though it was covered relatively recently, as in about three months ago). Serendipitous because I'd been sort of hoping to ask about just that. In any case, it did help decide me to do just that, though the first stage is hardly solid. Nonetheless, as of last Wednesday, Joseph's been eating a bit of rice cereal once or twice a day. So far, he seems to rather like it, and he certainly gets the idea of a spoon, even if he needs to work on some refinements. (Ie, he still ends up with food all over). I let him try to handle the spoon a bit; really glad it's a soft tipped, as I wouldn't be willing to do that with a metal.
Plus, as a bonus, I'm offering him sips of water from a cup. It will be a while before he gets to hold *that*, I can say. I have no sippy cups for him yet; they're not strictly a necessary thing, as I understand it, though convenient as anything, it seems to me.
He made the most interesting faces when I tried him with egg yolk, though. I was thinking for a second try I should mix it with milk, not water. but first I'd need some means to Get milk that doesn't involve hand expressing, because that hurts. I'm not practiced at it, and I have no desire to be if I can avoid it.
Anyhow. Yay for strange food exploration.
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Sigh.... a friend of mine started calling Joseph "JoJo", and while we were in Spain, I realised it stuck in my head, too. Iulianna, I have a bone to pick with you.
Better than Joey, I guess.
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I started going through the pictures from Spain. May post some soonish, along with a bit of babble about what we did. As much for my own record as for anyone else's curiosity.
______________
Sigh. I should make a new icon for myself. I haven't been to archery in a while. Ineed to get to dance practice, if only to prove I have no intention of dropping the SCA.
_______________
Apparently, I'm considering revising The Serpent Prince again. Actually, I started.
Here's what happened. In that writing meme I still haven't finished, one of the unfinished questions questions is "the ten worst things about your novel." It's unfinished because I didn't get to ten. But two of the things I did get down are the general fight with doing things in a patriarchal setting, and the difficulties that causes, and an issue specific to Serpent, which is that in the course of the novel, a woman gets Refrigerated*.
I could have lived with one or the other, but the combination was nagging at me. Because of the nature of the patriarchy they're in, I already felt I was stretching the bounds with the number of active female characters I had. And there wasn't a lot of room to make more of them active; Ketan is focused on the events that lead to the big ending. As to the Refrigeration, her death starts the whole climax and collapse, and has effects that carry over into at least the second book. She had to die. It's unfortunately very in character for the one who did it to slaughter innocents, knowing it hurts the people he's punishing worse than killing them would. But I still found it rankled. I don't tend to like Refrigeration in other peoples' stories. There are a few cases where it worked; in all of them, the woman had agency and personality before it happened, and was About more than her death. This female character has some personality, but the constraints of novel length and the main plot don't give her as much on-the-page time as would be needed to really make her shine.
So I started worrying again at ways to make this better. Give her more screen time. Leave her as is but get even more female characters up and active. Again and again I bounced off the fact that there just seemed no more room for a change. Count on the rest of the books in the series, or the rest of the books I write, to make up for it? Didn't seem like enough.
And of course, I'd already turned yet one more character female in the second book. I really couldn't do that again...
Two days after we got back from Spain, and suddenly, I found myself thinking there WAS one character I could feasibly turn female. A major player in the story. Someone whose gender would alter the whole dynamic of the story and happily spit in the face of the whole damned patriarchal setting. Mostly because it would highlight a whole lot of hypocrisy. Theo.
Instantly, I started going through his scenes and revisioning them with a "her", and trying to see if they would fit. Some of the scenes and plot points made even More sense than they had; she or her antagonists had stronger motivations. Some didn't -- until I started debating definitions of legal versus actual gender and how that might work in this particular culture. (In this case, it's More transgressive for her to be a cis female than it would be if she were transgender -- because if she wanted to be male, the Gods would just grant her wish, and the whole gender flip would pretty much end on the first page. And if she was born male, it also wouldn't work as well, for reasons that would involve getting too far into plot and culture for an already overlong ramble.)
And the name was easy. At VP, I had a lot of people who didn't much like Theokoi anyhow; one person said they stalled on the "koi" because they saw Fish, and therefore associated it with Japanese, when most of the stuff around it was obviously Europeanish (French for the Serathi and Cerissan, Scandinavian for the Germainesh). But as soon as I wondered what feminine thing I could use instead, I immediately remembered Jo Walton's Tiffany Problem, and she was renamed Theophanie. And thinking how to shorten it, my brain instantly went "Teo", pronounced, well exactly like Taeyo. (The "th" in French is usually a t with a bit of aspirated sound after it, not a th as it tends to be in English. Most of the 'e's in all the other names are already pronounced as if they had an acute accent over them.)
And yeah, I started right in; saved a new copy of the last draft and started poking away. I really think it could work.
(A friend of mine said that when she has thoughts about changes that big, she just writes another novel. I considered that, and my brain immediately rebelled, because adding another unfinished novel would be far far worse than doing even a major rewrite.)
Of course, I'm already trying to sell the story. So the real question is, do I keep sending samples and queries to agents, or do I stop again so I can finish yet another draft? The draft I have is finished and polished enough that I don't think they have anything to worry about re: newbies trying to sell unfinished works. Without Joseph, I think this might be the work of a month, maybe two. But I *am* slowed down by the baby...
Well, I'll see if it stalls partway through. I do still have the whole and complete novel with the guy Theo to fall back on.
______________
I can't help think I make a very poor feminist. EVERY time I've changed a character's gender, it's been male to female (In one case, one female character replaced not one but TWO male characters from the prior drafts). Because, Labyrinth aside, I keep shortchanging the women and focusing on the men. :P I suppose it's a kind of consolation that other than this series, most of the men are gay or bi. But really, too many ingrained assumptions.
And yet, obviously these things do matter to me or I wouldn't keep worrying at them.
______________
* For the few of you who don't know the term, this means: a female character is killed JUST so a male character can have massive Angst and Manpain. She's not killed for anything she is or does, but entirely because of her relationship to the man. It got its name from a comic book wherein a woman is literally killed and stuffed in a refrigerator.
Plus, as a bonus, I'm offering him sips of water from a cup. It will be a while before he gets to hold *that*, I can say. I have no sippy cups for him yet; they're not strictly a necessary thing, as I understand it, though convenient as anything, it seems to me.
He made the most interesting faces when I tried him with egg yolk, though. I was thinking for a second try I should mix it with milk, not water. but first I'd need some means to Get milk that doesn't involve hand expressing, because that hurts. I'm not practiced at it, and I have no desire to be if I can avoid it.
Anyhow. Yay for strange food exploration.
______________
Sigh.... a friend of mine started calling Joseph "JoJo", and while we were in Spain, I realised it stuck in my head, too. Iulianna, I have a bone to pick with you.
Better than Joey, I guess.
______________
I started going through the pictures from Spain. May post some soonish, along with a bit of babble about what we did. As much for my own record as for anyone else's curiosity.
______________
Sigh. I should make a new icon for myself. I haven't been to archery in a while. Ineed to get to dance practice, if only to prove I have no intention of dropping the SCA.
_______________
Apparently, I'm considering revising The Serpent Prince again. Actually, I started.
Here's what happened. In that writing meme I still haven't finished, one of the unfinished questions questions is "the ten worst things about your novel." It's unfinished because I didn't get to ten. But two of the things I did get down are the general fight with doing things in a patriarchal setting, and the difficulties that causes, and an issue specific to Serpent, which is that in the course of the novel, a woman gets Refrigerated*.
I could have lived with one or the other, but the combination was nagging at me. Because of the nature of the patriarchy they're in, I already felt I was stretching the bounds with the number of active female characters I had. And there wasn't a lot of room to make more of them active; Ketan is focused on the events that lead to the big ending. As to the Refrigeration, her death starts the whole climax and collapse, and has effects that carry over into at least the second book. She had to die. It's unfortunately very in character for the one who did it to slaughter innocents, knowing it hurts the people he's punishing worse than killing them would. But I still found it rankled. I don't tend to like Refrigeration in other peoples' stories. There are a few cases where it worked; in all of them, the woman had agency and personality before it happened, and was About more than her death. This female character has some personality, but the constraints of novel length and the main plot don't give her as much on-the-page time as would be needed to really make her shine.
So I started worrying again at ways to make this better. Give her more screen time. Leave her as is but get even more female characters up and active. Again and again I bounced off the fact that there just seemed no more room for a change. Count on the rest of the books in the series, or the rest of the books I write, to make up for it? Didn't seem like enough.
And of course, I'd already turned yet one more character female in the second book. I really couldn't do that again...
Two days after we got back from Spain, and suddenly, I found myself thinking there WAS one character I could feasibly turn female. A major player in the story. Someone whose gender would alter the whole dynamic of the story and happily spit in the face of the whole damned patriarchal setting. Mostly because it would highlight a whole lot of hypocrisy. Theo.
Instantly, I started going through his scenes and revisioning them with a "her", and trying to see if they would fit. Some of the scenes and plot points made even More sense than they had; she or her antagonists had stronger motivations. Some didn't -- until I started debating definitions of legal versus actual gender and how that might work in this particular culture. (In this case, it's More transgressive for her to be a cis female than it would be if she were transgender -- because if she wanted to be male, the Gods would just grant her wish, and the whole gender flip would pretty much end on the first page. And if she was born male, it also wouldn't work as well, for reasons that would involve getting too far into plot and culture for an already overlong ramble.)
And the name was easy. At VP, I had a lot of people who didn't much like Theokoi anyhow; one person said they stalled on the "koi" because they saw Fish, and therefore associated it with Japanese, when most of the stuff around it was obviously Europeanish (French for the Serathi and Cerissan, Scandinavian for the Germainesh). But as soon as I wondered what feminine thing I could use instead, I immediately remembered Jo Walton's Tiffany Problem, and she was renamed Theophanie. And thinking how to shorten it, my brain instantly went "Teo", pronounced, well exactly like Taeyo. (The "th" in French is usually a t with a bit of aspirated sound after it, not a th as it tends to be in English. Most of the 'e's in all the other names are already pronounced as if they had an acute accent over them.)
And yeah, I started right in; saved a new copy of the last draft and started poking away. I really think it could work.
(A friend of mine said that when she has thoughts about changes that big, she just writes another novel. I considered that, and my brain immediately rebelled, because adding another unfinished novel would be far far worse than doing even a major rewrite.)
Of course, I'm already trying to sell the story. So the real question is, do I keep sending samples and queries to agents, or do I stop again so I can finish yet another draft? The draft I have is finished and polished enough that I don't think they have anything to worry about re: newbies trying to sell unfinished works. Without Joseph, I think this might be the work of a month, maybe two. But I *am* slowed down by the baby...
Well, I'll see if it stalls partway through. I do still have the whole and complete novel with the guy Theo to fall back on.
______________
I can't help think I make a very poor feminist. EVERY time I've changed a character's gender, it's been male to female (In one case, one female character replaced not one but TWO male characters from the prior drafts). Because, Labyrinth aside, I keep shortchanging the women and focusing on the men. :P I suppose it's a kind of consolation that other than this series, most of the men are gay or bi. But really, too many ingrained assumptions.
And yet, obviously these things do matter to me or I wouldn't keep worrying at them.
______________
* For the few of you who don't know the term, this means: a female character is killed JUST so a male character can have massive Angst and Manpain. She's not killed for anything she is or does, but entirely because of her relationship to the man. It got its name from a comic book wherein a woman is literally killed and stuffed in a refrigerator.